Born: Enrolled Flathead Salish #07137
St. Ignatius Indian Mission, Salish and Kootenai Nation, Montana
Olympic College, Bremerton, Washington
Framingham State College, Massachusetts
University of New Mexico
SELECTED SOLO EXHIBITIONS
Clarke Benton Gallery, Santa Fe, New Mexico
Jaune Quick-to-See Smith, Kornblee Gallery, New York, November–December 1
Galleria de Cavallino, Venice, Italy
Galerie Akmak, Berlin, Germany
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Santa Fe, August 14–September 4
Speaking Two Languages, Yellowstone Art Center, Billings, Montana
Jaune Quick-to-See Smith, Bernice Steinbaum Gallery, New York, November
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Scottsdale, Arizona, February 5–21
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Scottsdale, Arizona, August
Centric 37: Jaune Quick-to-See Smith, University Art Museum, California State University, Long Beach, October 3–29
Jaune Quick-to-See Smith: New Paintings, Bernice Steinbaum Gallery, New York, February–March 6
Jaune Quick-to-See Smith, LewAllen/Butler Fine Art, Santa Fe, August 17–September 7
The Quincentenary Non-Celebration, Steinbaum Krauss Gallery, New York
LewAllen Gallery, Santa Fe, New Mexico
Parameters Series, Chrysler Museum, Norfolk, Virginia, Parameters Series; Smith College Museum of Art, Northampton, Massachusetts
Sweet Briar College, Virginia
SITE, Santa Fe, New Mexico
Steinbaum Krauss Gallery, New York
Wabash College Art Museum, Crawfordsville, Indiana
Subversions/Affirmations: Jaune Quick-to-See Smith, A Survey, Jersey City Museum, New Jersey, December 11, 1996–February 15, 1997; Lehigh University Art Galleries, Bethlehem, Pennsylvania, April 9–June 14, 1997; Austin Museum of Art at Laguna Gloria, Austin, August 2–October 12, 1997; Missoula Art Museum, Montana, December 12, 1997–February 15, 1998
Modern Times, New Mexico State University Art Gallery, Las Cruces
The Evergreen State College Galleries, Olympia, Washington
Jaune Quick-to-See Smith, Sacred Circle Gallery of American Indian Art, Daybreak Star Cultural Arts Center, Dsicovery Park, Seattle, June 1–August 31
Jaune Quick-to-See Smith, Steinbaum Krauss Gallery, New York
Bethel College, St. Paul, Minnesota
New Work, Jan Cicero Gallery, Chicago
Art Museum of Missoula, Montana
Anton Gallery, Washington, D.C.
The Longwood Center for the Visual Arts, Longwood College, Farmville, Virginia
Western Michigan University, Kalamazoo
Penn State University, University Park, Pennsylvania
Jan Cicero Gallery, Chicago
200 Years: Change/No Change, Palmer Museum, Pennsylvania State University, University Park
Jaune Quick-to-See Smith: Made in America, Belger Arts Center for Creative Studies, University of Missouri, Kansas City; University of Scranton, Pennsylvania
LewAllen Gallery, Santa Fe, New Mexico
Jaune Quick-to-See Smith: Made in America, Belger Arts Center for Creative Studies, University of Missouri, Kansas City, April 5–June 27, 2003; University of Scranton, Pennsylvania, 2003; Milton Hershey School Art Museum, Hershey, Pennsylvania, 2004; Keene State College, Keene, New Hampshire, September 7, 2004; Polk Museum of Art, Lakeland, Florida, July 30–October 9, 2005; Museum of Texas Tech University, Lubbock, Texas, 2005–January 29, 2006; University of New Mexico Art Museum, Albuquerque, 2005; Montclair Museum, Montclair, New Jersey, September 17, 2006–January 14, 2007; Plains Art Museum, Fargo, North Dakota, 2007; Lauren Rogers Museum, Laurel, Mississippi, February 4–April 29, 2007; The Grace Museum, Abilene, Texas, 2008; Pensacola Art Museum, Florida, 2009
Continuum 12 Artists, National Museum of the American Indian, Smithsonian, New York
Connections: Old Work/New Work, Flomenhaft Gallery, New York
New Drawings: Jaune Quick-to-See Smith, Suffolk University, Boston
Jaune Quick-to-See Smith: New Paintings, Valdosta State University, Valdosta, Georgia
Jaune Quick-to-See Smith: Paintings, Drawings and Prints, Ellen Noel Museum, Odessa, Texas
Jaune Quick-to-See Smith, Muscarelle Museum, College of William; Mary, Jamestown, Virginia
Jaune Quick-to-See Smith, University of North Carolina at Pembroke, North Carolina
Jaune Quick-to-See Smith, Newcomb Art Gallery, Tulane University, New Orleans, Louisiana
Jaune Quick-to-See Smith: Landscapes of an American Modernist, Georgia O'Keeffe Museum, Santa Fe, New Mexico, January 12–April 29
Jaune Quick-to-See Smith, Anna Lamar Switzer Center for the Visual Arts, Pensacola State College, Florida, January 23–March 9
Jaune Quick-to-See Smith: Water and War, Accola Griefen Gallery, New York
Jaune Quick-to-See Smith, The Bernstein Gallery, The Woodrow Wilson School, Princeton University, New Jersey
Jaune Quick-to-See Smith, Robert E. Elberson Fine Arts Center, Salem College, Winston-Salem, North Carolina
Jaune Quick-to-See Smith, Maudeville Art Gallery, Union College, Schenectady, New York
CUE Foundation 2016 Solo Exhibition Program, New York
Jaune Quick-to-See Smith: Art after the Drought, Museum of Texas Tech University, Lubbock, Texas
Layered Stories: Jaune Quick-to-See Smith, Holter Museum of Art, Helena, Montana
Jaune Quick-to-See Smith: In the Footsteps of My Ancestors, Yellowstone Art Museum, Billings, Montana, March 23–July 16, 2017; Missoula Art Museum, Montana, September 20, 2017–March 10, 2018; Loveland Museum, Colorado, June 30–September 16, 2018; Colorado Springs Fine Arts Center, Colorado College, October 27, 2018–January 27, 2019; Tacoma Art Museum, Washington, Spring 2019
Jaune Quick-to-See Smith: Trickster in Print, Historic Fifth Street School Mayor’s Gallery, Las Vegas, March 29–April 14
Jaune Quick-to-See Smith: Making Medicine, Garth Greenan Gallery, New York, April 12–May 19
SELECTED GROUP EXHIBITIONS
Whittemore Gallery, Framingham State College, Massachusetts
Arthur B. Mazmanian Gallery, Framingham State College, Massachusetts
New Mexico Museum of Fine Arts Biennial, New Mexico Museum of Fine Arts, Santa Fe
Indian Art Now, Wheelwright Museum, Santa Fe, New Mexico
Fall Invitational, Roswell Museum, Roswell, New Mexico
Grey Canyon Artists, Upstairs Gallery, Berkeley, California
Rick Dillingham and Jaune Quick-to-See Smith, Clarke-Benton, Santa Fe, July
Group Show, Clarke-Benton, Santa Fe, August
Summer Show, Droll/Kolbert Gallery, New York
Cavallino Gallery, Venice, Italy
Three Visions, Massachusets College of Art, Boston
Work From the Tamarind Institute, Scottish Arts Council, Edinburgh, Scotland
Buscaglia–Casteliani Gallery, Niagara University, Niagara, New York
Rosalind Constable Invites, Sweeney Center, Santa Fe, New Mexico, October
An Exhibit of Contemporary Art by Native American Artists, Whitney Gallery of Taos, New Mexico, April
Fiber Arts, Banff Center for the Arts, Banff, Alberta, Canada
Kornblee Drawing, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
Albright Knox Art Gallery, Buffalo, New York
Galleria D’arte L’Argentario, Trento, Italy
University of Regina, Saskatchewan, Canada
Aspen Center for the Arts, Aspen, Colorado
Works on Paper, Foundations Gallery, New York
The New Feminism, curated by Lucy Lippard, Ohio State University, Columbus
Grey Canyon, Portland Art Museum, Portland
Henry Gallery, Seattle, Washington
The Horse Show, Robert Freidus Gallery, New York
Common Ground, American Indian Community House, New York, May–June 18
Second Western States Exhibition/38th Corcoran Biennial of American Painting, Corcoran Gallery of Art, Washington, D.C., May 1983; Lakeview Museum of Arts and Sciences, Peoria, Illinois, May 1983; Scottsdale Center for the Arts, Arizona, October 1983; Albuquerque Museum, 1983–1984; Long Beach Museum of Art, California, 1984; San Francisco Museum of Modern Art, November 1984
East Meets West, Brooklyn Museum, May 13
Western States Biennial, Corcoran Art Gallery, Washington, D.C.
Expanding Powers, University of Tennessee, Knoxville, Tennessee; Cal State College, Stanislaus, California
Academy of Arts and Letters Group Invitational, New York
36th Annual Exhibition, American Academy and Institute of Arts and Letters, New York
Artists Call – Reconstruction Project, Artists Space, New York
Women of the American West, Bruce Museu, Greenwich, Connecticut
Twenty-Five Years of Printmaking at Tamarind, University of New Mexico Art Museum, Albuquerque
Signale, organized by Katrina Hartje, Galerie Akmak, Berlin, Germany
Women of Sweetgrass, Cedar and Sage: Contemporary Art by Native American Women, AICH (American Indian Community House Gallery), New York
Views Across America, Museum of Modern Art, Art Advisory Service of Gannett Corporation and Pfizer Corporation Headquarters, New York
American Women in Art: Works on Paper – An American Album, Nairobi, Kenya
In Homage to Anna Mendieta, Zeus-Trabia Galler, New York
Visible/Invisible, Palo Alto Cultural Center, California
Connections Project/Conexus, Women Artists from Brazil and U.S., Museum of Contemporary Hispanic Art, New York
39th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York
Cultural Currents, San Diego Museum of Art
Committed to Print, Museum of Modern Art, New York
American Herstory: Women and the U.S. Constitution, The Atlanta College of Art Gallery, Atlanta, Georgia
Cambridge Multi-Cultural Art Center, Cambridge, Massachusetts
The Natural Image: Nature as Image in Contemporary Art, Stamford Museum and Nature Center, Connecticut, March 12–June 4
100 Drawings by Women, Hillwood Art Gallery, Long Island University, New York
41st Annual Academy–Institute Purchase Exhibition, American Academy and Institute of Arts and Letters, New York
Menagerie, Museum of Modern Art, New York
The Decade Show, The New Museum of Contemporary Art, The Studio Museum in Harlem, Museum of Contemporary Hispanic Art, New York
The Matter at Hand: Contemporary Drawings, University of Wisconsin at Milwaukee, Fine Arts Gallery, Milwaukee, Wisconsin
Coast to Coast–The Box Show, Art in General, New York
Figuration, The Museum of Modern Art, New York
Presswork: The Art of Women Printmakers, Lang Communications Collection, London
Myth and Magic in the Americas, Museo de Arte Contemporaneo de Monterrey, Mexico
Okanta, A-Space, Toronto, Ontario, Canada
Counter Colonialismo, Center Cultural Tijuana, Mexico; Centro Cultural de la Raza, San Diego
44th Annual Exhibit, American Academy and Institute of Arts and Letters, New York
One World, Kassel, Germany
Columbus Drowning, Rochdale Art Gallery, England
Wind and Glacier Voices: The Native American Film & Media Celebration, Lincoln Center, New York
Six Directions, Galerie Calumet, Heidelberg, Germany
In Plural America: Contemporary Journeys, Voices and Identities, Hudson River Museum of Westchester, Yonkers, October 2, 1992–January 24, 1993
Current Identities: Recent Painting in the United States, organized by Aljira: A Center for Contemporary Art, Newark, New Jersey
For the Seventh Generation: Native Americans Counter the Quncentennary, Columbus, New York; Art in General, New York
Indianer Nordamerikas, Kunst und Mythos, Internationale Tage Ingelheim, Ingelheim, Germany
Art and Enviornment: Imagine Celebrates Earth Day, National Arts Club, New York
Jaune Quick-to-See Smith and David Johns, Works on Paper, Peiper-Riegraf Gallery, Frankfurt, Germany
Indian Territories: 20th-Centry Native-American Artists Dismantle 19th-Century Euro-American Myths, René Fotouhi Fine Art East, East Hampton, August 30
AD*VANCES, Museum of Modern Art, Art Advisory Service for General Electric, New York
Reuse / Refuse, Honolulu Academy of the Arts, Hawaii
Artistas Contemporaneo de Nueva Mexico, University of Guadalajera, Mexico
Multiplicity: A New Cultural Strategy, University of British Columbia, Museum of Anthropology, Vancouver, British Columbia, Canada
Toi te Ao, an Aotearoa World Celebration of Indigenous Art & History, Te Taumata Gallery, Auckland, New Zealand
Salon de Barbie: A Multi-Media Exhibition, The Kitchen, New York; Guild Hall, East Hampton, New York
Weltpremiere: Remember the Earth Whose Skin You Are, Kunsthalle, Bonn, Germany
Pintores en grabado, IV Bienal Internacional de Pintura de Cuenca, Panama; Honduras; Salvador; Costa Rica; Ecuador; Columbia; Uragauay; Venezuela; Paraguay; Dominican Republic
Art at the Edge: Social Turf, High Museum of Art, Atlanta, Georgia
Old Glory, New Story: Flagging of the 21st Century, Capp Street Project, San Francisco, California
The Stephane Janssen Collection of Contemporary American and European Art: In Memory of R. Michael Johns, Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman; SITE, Santa Fe, New Mexico
Justice/Injustice: Art Against Death, Puffin Room, New York
Heroes and Heroines: From Myth to Reality, New Jersey Center for Visual Arts, Summit, New Jersey
Brücken und Abgrenzungen: Zeitgenössiche indianische Kunst, Taunua-Sparkasse; Kronberg, Germany; Haus an der Redoute, Bonn Germany; Kaisertrutz, Görlitz, Germany
American Kaleidoscope: Themes and Perspectives in Recent Art, National Museum of American Art, Smithsonian Institution, Washington, D.C.
V Bienal Internacional de Pintura de Cuenca
Sniper’s Nest (Collection of Lucy Lippard), Bard College, Hudson, NY
New Prints, The Nelson-Atkins Museum of Art, Kansas City, Missouri
Text and Identity, Twelve Women/Twelve Artists, University Art Gallery, Staller Center for the Arts, State University at Stony Brook, New York
Real(ist) Women II, Northwood University, West Palm Beach, Florida
City Series: Taos, Albuquerque, Santa Fe, Cedar Rapids Museum of Art, Iowa
National Invitational Works on Paper Exhibition, University of Hawaii, Hilo
Mouse: An American Icon, The Alternative Museum, New York
Indian Humor, National Museum of the American Indian, New York, May 31–August 2
Ceremonial, Eight Native Americans, Venice Biennale, Schola Dei Tiraoro E. Battioro, Venezia, Italy
Outward Bound: American Art at the Brink of the Twenty-First Century, Washington D.C.; Vietnam; China; Indonesia; Singapore
23rd International Biennial of Graphic Art, Ljubljana, Slovenia
World Views: Maps & Art, Frederick R. Weisman Art Museum, University of Minnesota
Millennium Messages, SITES, Smithsonian
Mixed Blessings, Two person, curated by Dorothee Peiper-Riegraf, Amerika Haus, Frankfurt, Germany
Contemporary Masters, Eiteljorg Museum, Indianapolis, Indiana
Indian Reality Today, Westphalian State Museum, Munster, Germany
Barbie Doll Show, Walter Phillips Gallery, Banff, Alberta, Canada
5th Triennale Mondiale d’Estampes Petit Format 2000, Chamalieres, France
Sharjah Arts Museum, Sharjah, United Arab Emirates
Tamarind at 40, University of New Mexico Art Museum, Albuquerque
The View from Here, State Tretyakov Gallery, Moscow, Russia
Prints & Prints, Denise Bibro Gallery, New York
Passageways: Growing up in the World, Israel
Women’s National Art Invitational, Clemson University, South Carolina
Unforgettable, Chelsea Studio Gallery, New York; Berliner Kunstproject, Berlin, Germany
The Fables of Jean de la Fontaine, Institute for American Universities, Aix-en-Provence, France
Off the Press: Re-Contextualizing the Newspaper, Southeast Museum of Photography, Daytona Beach, Florida
Honorary Degree Exhibit, Massachusetts College of Art, Boston; Fine Arts Work Center, Provincetown, Rhode Island
Cross-Cultural Identities: An Artists Print Exchange Between South America and North America, Michaelis School of Fine Art, University of Cape Town, South Africa
The Flag Project, Rubin Museum of Art, New York
Newer Genres: Twenty Years of the Rutgers Archives for Printmaking, Jane Voorhees Zimmerli Art Museum, State University of New Jersey, Rutgers
New Editions: Prints for an American Museum, Whitney Museum of American Art, New York
Artists Interrogate: Race and Identity, Milwaukee Art Museum, Wisconsin
The Missing Piece for the Dalai Lama, Fowler Museum, Los Angeles, California; Loyola University, Chicago
Chamalieres Carrefour Int'l de L'estampe, French Print Triennial, Clichy, France
Lessedra World Art Print, Sofia, Bulgaria
Elizabeth Sackler Center for Feminist Art, New York
We Are All Knots, National Museum of the American Indian and Art in Embassies, Washington, DC
An International Printers Exchange, University of North Florida, Jacksonville
Unlimited Boundaries: Dichotomy of Place in Contemporary Native Art, Albuquerque Museum, New Mexico
Burning Down the House: Building a Feminist Art Collection, Brooklyn, New York
Speaking Volumes: Transforming Hate, Holter Museum of Art, Helena, Montana
International Print Exhibition, USA and Japan, Tokyo Metropolitan Museum of Art, Kyoto Municipal Museum of Art, Tokushima Modern Art Museum, Japan
The Third Space: Cultural Identity Today, Mead Art Museum, Amherst, Massachusetts
The Human Condition: A Multi-Cultural Print Exhibition, Molloy College, Rockville Center, Long Island, New York
Print Lovers at Thirty: Celebrating Three Decades of Giving, Nelson-Atkins Museum of Art, Kansas City, Missouri
Cuban Biennial, Havana, Cuba
Off the Beaten Path: Violence, Women and Art – Art Works for Change, Stenersen Museum, Oslo, Norway
Visual Power, Phnom Penh, Cambodia; London, United Kingdom; and Jeddah, Saudi Arabia
Land/Art, 516 ARTS, Albuquerque, New Mexico
Unconcquered Imagination, Ah-Tah-Thi-Ki Museum, Clewiston, Florida
Favorite Works, Jersey City Museum, New Jersey
Common Ground, Albuquerque Museum of Art and History, New Mexico, June 2009–
Violencia Mujer Y Arte, Off the Beaten Path: Violence, Women and Art, Centro Cultural Tijuana, Baja California, Mexico; Museo Universitario del Chopo, Mexico
The Human Touch: Selections from the RBC Drain Rauscher Collection, Joslyn Art Museum, Omaha, Nebraska
Speaking Volumes: Transforming Hate, Montana Museum of Art & Culture, University of Montana, and Yellowstone Art Museum, Billings, Montana
The Narcissism of Minor Differences, Maryland Institute College of Art, Baltimore
Tamarind Touchstones: Fabulous at Fifty, Celebrating Excellence in Fine Art Lithography, Portland Art Museum, Oregon
NASA|Art: 50 Years of Exploration, Smithsonian Institution, Washington, D.C.
Kunst der Indianischen Moderne und Postmoderne aus der Sammlung Peiper-Riegraf, Leon Berg, Germany
Montana Women in the Visual Arts, Emerson Center for Arts and Culture, Bozeman, Montana
Island Press: Three Decades of Printmaking, Mildred Lane Kemper Art Museum, St. Louis, Missouri
Pressing Ideas: Fifty Years of Women's Lithography from Tamarind, National Museum of Women in the Arts, Washington, D.C.
...As Apple Pie, Whitney Museum of American Art, New York
Creating a Living Legacy, Cue Foundation Gallery, New York
Indianische Moderne – Kunst aus Nordamerika, Staatliche Museen zu Berlin, Germany
Shapeshifting: Transformations in Native American Art, Peabody Essex Museum, Salem, Massachusetts
Privacy Please, A.I.R. Gallery, Brooklyn, New York
Octopus Dreams, Ekaterinburg Museum, Novosibirsk State Museum, Togliatti Art Museum, Russia; Siberia
National Academy Museum & School, New York
The Old Becomes the New: New York Contemporary Native American Art and the New York School, Wilmer Jennings Gallery at Kenkeleba, New York
Off the Beaten Path: Violence, Women, and Art – Art Works for Change, Johannesburg Art Gallery, South Africa, and Iziko South African National Gallery, Cape Town, South Africa
The Map Is Not the Territory, The Jerusalem Fund Gallery, Al Quds, Washington, D.C.
Women Only, Flomenhaft Gallery, New York
Face to Face, Wall to Wall, Yellowstone Art Museum, Billings, Montana
Re-Riding History: From the Southern Plains to the Matanzas Bay, Fred Jones Jr. Art Museum, Norman, Oklahoma
Marks Made: Prints by American Women Artists from 1960 to Present, Museum of Fine Art, St. Petersburg, Florida
The Plains Indians: Artists of Earth and Sky, Metropolitan Museum of Art, New York
Weaving Past into Present: Experiments in Contemporary Native American Printmaking, International Print Center, New York
Octopus Dreams, Funabashi City, Japan
Embassy of the United States, Ankara, Turkey
The Map Is Not the Territory, Lower Level Gallery, Arab American Museum, Dearborn, Michigan
Home: Contemporary Indigenous Artists Responding, Boulder Museum of Contemporary Art, Colorado, November 8–November 20, 2016; Sojourner Truth Library, State University of New York at New Paltz, December 4–22, 2017; Pattee Library, University Park, Pennsylvania State University, March 1–August 31, 2018
BIG Deal: Sizable Paintings from the Permanent Collection, Palmer Museum of Art, Pennsylvania State University, University Park, September 5–December 17
Great Basin Artists, C.N. Gorman Museum, University of California, Davis, April 4–June 16
Conversation Pieces: Selection from the Permanent Collection in Dialogue, Plains Art Museum, Fargo, North Dakota, June 29, 2017–July 29, 2018
An Incomplete History of Protest: Selections from the Whitney's Collection, 1940–2017, Whitney Museum of American Art, New York, August 18, 2017–April 2018
Dress Matters: Clothing as Metaphor, Tucson Museum of Art and Historic Block, October 21, 2017–February 18, 2018
Multiple Modernisms, Chrysler Museum of Art, Norfolk, Virginia, November 17–January 31, 2019
Women with Vision: Masterworks from the Permanent Collection, Muscarelle Museum of Art, College of William and Mary, February 10–May 13, 2018
Native North America, Crystal Bridges Museum of American Art, Bentonville, Arkansas, October 6, 2018–January 7, 2019
Akron Museum of Art, Ohio
Albuquerque Museum, New Mexico
Arizona State University Art Museum, Phoenix
Art in Embassies, Washington, D.C.
Autry Museum of the American West, Los Angeles
Baltimore Museum of Art
Birmingham Museum of Art, Alabama
Buffalo Bill Center of the West, Cody, Wyoming
Carleton College, Northfield, Minnesota
Chrysler Museum, Norfolk, Virginia
Colgate University, Hamilton, New York
College of Wooster Art Museum, Ohio
Crocker Art Museum, Sacramento, California
Crystal Bridges Museum of American Art, Bentonville, Arkansas
Danforth Museum, Framingham, Massachusetts
Denver Art Museum, Colorado
DePaul Art Museum, DePaul University, Chicago
Des Moines Art Center, Iowa
Detroit Institue of Arts
Eiteljorg Museum of American Indians and Western Art, Indianapolis
Eskenazi Museum of Art, Indiana University Bloomington
Figge Art Museum, Davenport, Iowa
Fine Arts Museums of San Francisco
Fort Wayne Museum, Indiana
Fred Jones Jr. Museum of Art, University of Oklahoma, Norman
Georgia O’Keeffe Museum, Santa Fe
Goshen College, Indiana
Heard Museum, Phoenix
Hennepin County Library, Minnesota
High Museum of Art, Atlanta
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Indianapolis Museum of Art
Jersey City Museum
Joslyn Art Museum, Omaha, Nebraska
Landschaftsverband Westfalen-Lippe Museum für Naturkunde, Münster, Germany
Lauren Rogers Museum of Art, New Orleans
MacKenzie Art Gallery, Regina, Saskatchewan, Canada
Memorial Art Gallery of the University of Rochester, New York
Metropolitan Museum of Art, New York
Miami Dade College Museum of Art and Design, Florida
Midwest Museum of Art, Elkhart, Indiana
Mildred Kemper Art Museum, Washington University, St. Louis
Milwaukee Art Museum, Wisconsin
Minneapolis Institute of Art, Minnesota
Missoula Art Museum, Montana
Molloy College Gallery, Rockville Centre, New York
Montclair Art Museum, New Jersey
Muscarelle Museum of Art, College of William and Mary, Williamsburg, Virginia
Museum of Art, Rhode Island School of Design, Providence
Museum für Völkerkunde Hamburg, Germany
Museum of Fine Arts, Boston
Museum of Modern Art, Cuenca, Ecuador
Museum of Modern Art, New York
Museum of Modern Art, Quito, Ecuasdor
National Museum of Women in the Arts, Washington, D.C.
New Mexico Museum of Art, Santa Fe
New Orleans Museum of Art
Newark Museum, New Jersey
Nicolaysen Art Museum, Casper, Wyoming
Pensacola Museum of Art, University of West Florida
Richard F. Brush Art Gallery, Saint Lawrence University, New York
Rockwell Museum, Corning, New York
Roswell Museum and Art Center, New Mexico
Salish Kootenai College, Pablo, Montana
Sheldon Museum of Art, Lincoln, Nebraska
Smith College Museum of Art, Northampton, Massachusetts
Smithsonian American Art Museum, Washington, D.C.
Spencer Museum of Art, University of Kansas, Lawrence
Sweet Briar College Gallery, Virginia
University of Arizona Museum of Art, Tuscon
University of Northern Iowa Gallery of Art, Cedar Falls
Victoria and Albert Museum, London
Walker Art Center, Minneapolis
Whitney Museum of American Art, New York
Wichita Art Museum, Kansas
Yellowstone Art Center, Billings, Montana
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Galligan, Gregory. "Jaune Quick-To-See Smith: Crossing the Great Divide." Arts Magazine 60, no. 5 (January 1986): 54–55.
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–––. “Three Shows of Independent Vision.” New York Times, March 11, 2001.
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